Wednesday, April 17, 2019

About the amnesia in Marvel's "Captain Marvel" (Carol Danvers) movie (Part 3 of 4 about the movie)

Having covered the plot of the film and many of its references, symbolisms, and messages, it's time to address just a some specific issues in and about the film.

The Amnesia Thing
From the very beginning of this movie, Vers/Carol Danvers has a memory problem. She cannot remember anything before she was rescued by the Kree from a crash site a few years ago. Overcoming that amnesia was a key plot point, and a motivating factor in her actions the closer she got to her past.

In the comics, Carol Danvers actually had quite a bit of experience with memory failure, so making amnesia a key characteristic of her character in the movie is not completely out of...character.

The Carol/Ms. Marvel Split Personality
The first time she had memory issues was right when Ms. Marvel first appeared in 1977 (Ms. Marvel #1). Here came this new superhero, beating up bank robbers and throwing cars around, but she had no memory of her past or who she was. Then Carol Danvers showed up at the offices of the Daily bugle to start work as the new Editor-in-Chief of Woman magazine. But then at some point she would pass out, and the next thing you knew, Ms. Marvel was beating up the Scorpion or some other super villain was throwing her around by her scarf while she was having existential discussions with that villain about her identity.

It turned out that Carol Danvers had developed a split personality. This was supposed to represent the dichotomy of the female/feminist experience, ad the Modern woman tried to reconcile the desire for equality with the female identity.

But having a super-powerful, schizophrenic, feminist superhero did not go over too well. The letters pages showed a lot of sentiment against this concept. So writer Gerry Conway, despite crediting his wife with a lot of assistance, was replaced by Chris Claremont, who guided the stories to a reconciliation and unification of the two personalities before even the belly cut-out on her costume was patched over (I mean, a feminist icon with her belly button showing? Really?)

There is, then a parallel (if tenuous) between Carol Danvers getting super powers and losing her memory. When she was a Kree hero, "Vers" had no memory of a past life as an Earthling, just like how Ms. Marvel, a product of Kree science and DNA, had no memory of her Earthling self. I wonder if that is where the writers got the idea? I have to track them down and find out.

Rogue
The second time she lost her memory was was when she ran into the mutant Rogue. This was before the character became an X-Man and the action originally happened off-camera (it was later drawn up and seen in a quarterly anthology book and the Ms. Marvel Essential Edition and Mrvel Masterworks Ms. Marvel #2).


Rogue's mutant ability was to absorb people's memories and super powers by physical contact. The trouble is, if she holds the contact too long, the transfer becomes permanent. That's what happened here. This is why in the comics, Rogue can fly, is super-strong, invulnerable, etc.

But this left Carol in a powerless, infantile state. She was rescued by Spider-Woman, who then took her to Professor X (founder of the X-Men) who helped her rebuild her memories. She stayed with the X-Men for a time, joining them in an adventure in outer space, in the course of which, new powers literally exploded out of her.

These powers were drawn from the energy of a "white hole," (a theoretical but thus far undiscovered cosmic thing that is in some way the opposite of a black hole) giving here the ability to use and focus the energy of a star, including space flight and photon blasts. This was much like what we see from Carol Danvers at the climactic space-battle scene in this movie.

These powers were released as a result of experiments done on her by an alien race called the Brood, followed by a moment of extreme physical stress, and thus there is a connection to the movie. We don't know how much was actually done to Carol Danvers when she was picked up by the Kree, but she does have an inhibitor device on her neck and she is told to keep things under control. It is when she gets rid of the inhibitor and is plummeting to the Earth that her full power potential is finally awakened.

The Psyche-Magnitron Tumor
As we should all know by now, the original source of Carol's super powers was Kree DNA m passed from Mar-Vell to her when he tried to protect her from the radiation of an exploding Kree machine known as a psyche-magnitron (this origin story has been retcon-tweaked to add the fact that her mother was Kree, but that was not published until the eve of the movie's release, sand is irrelevant to this point).

Before production started for the movie, there was a storyline in the Captain Marvel comic book in which it was discovered that there was a fragment of the machine in her brain, creating a tumor that grew as she used her powers. Unfortunately, villains from her past kept popping up, forcing her to use her powers more often. It turned out that this was a plot by Yon-Rogg, Mar-Vell's old rival in the Kree military, who had been disgraced and defeated by Mar-Vel in the incident that led to the aforementioned explosion.

In the climax of the story, Captain Marvel saved the day by flying up to stop a Kree city from landing on New York. The effort she expended caused the tumor to rupture, damaging the memory centers of her brain. This gave her complete amnesia again.

By this time, Carol Danvers had gained the friendship of Kit Renner, the daughter of her neighbor, who had the nickname of "Lieutenant Trouble." She helped her gain back her memories by sharing with her the story of her life, which she had written and drawn into a book herself.

In the Captain Marvel movie, "Lieutenant Trouble" was Monica Rambeau, the young daughter of Maria "Photon" Rambeau, Carol Danver's best friend and fellow fighter pilot. She had been very close with Carol before the event in which she lost her memory and was taken in by the Kree, and helped her in accomplishing the mission she set for herself to climax the movie. this is consistent with the relationship between Carol and "Lt. Trouble" in the comics.



Coming soon:
Thoughts on the character of MAr-Vell in the Comics and the movie, and about the female and feminist issues.
ALSO: we will resume our Blog History of the many Captain Marvels with SHAZAM! The New Beginning!

Friday, April 5, 2019

SHAZAM! MOVIE REVIEW VIDEO! (extempore, no spoilers)

Here is my on-the-spot review of the movie SHAZAM! I will probably write something more thorough with spoilers later.


We will finish up our Captain Marvel (Carol Danvers) movie review first.

Thursday, April 4, 2019

The Marvelous Miracleman! Part 10 of the Blog history of the many Captain Marvels!


     
When last we left our Hero, Marvelman,

Skinn shopped around his package of characters to various US comic book companies, but the name "Marvelman" and the letters from Marvel's attorneys kept getting in the way of closing a deal. It was decided to change the hero's name, and Alan Moore came up with "Miracleman," a name he had used before. Under this name, the property was sold to Eclipse Comics in September 1984, and the first issue of Miracleman appeared with a cover date of August 1985.


The series began by reprinting all that had appeared in Warrior, through issue #7, and (after complicated contractual dealings) Alan Moore picked up the story with #8. However, a flood destroyed the all-new art for that issue, so it became a fill-in issue with reprints of old L. Miller and Son-era stories. #9  began the all-new material, featuring a graphic, anatomically accurate telling of the birthing of the child of Miracleman by Mike Moran's wife.

This was highly controversial, as were future issues that wrapped up the Kid Marvelman conflict in issue #15. In that issue the entire city of London was razed to the ground in the climactic battle between hero and villain, with the inevitable and terrible deaths of thousands of civilians. A horrifying two-page spread by artist John Totleben showed the results of unfettered superpowers in battle in a realistic world.

Alan Moore finished his story arc and left the title on issue #16, which finally came out in 1989. replaced by Neil Gaiman (who got some share of the character rights in the deal). The stories continued into a series of stories world run by Marvelman as a benevolent super-powered dictator called the "Age of Miracles" (ironic, seeing as how this was a play on the "replacement" name for the hero). Eventually, however, the book was cancelled and for different reasons, Eclipse Comics went under.



Comics writer/artist Todd McFarland, creator of "Spawn," bought all the rights and properties of Eclipse Comic at auction , and believed the rights to Miracleman were included. But the complicated rights-sharing agreement established between Dez Skinn and the various writers and artists of the character was apparently still in play. Lengthy wrangling between the players involved ensued, which can be tracked by their various statements in interviews over the years.

Somewhere in there L. Miller and Son dissolved itself, with no documentation assigning the rights to Marvelman to anyone.

Eventually, Marvel Comics came into the picture. To make a very long and complicated story short, they paid Mick Anglo, the creator of the original Marvelman, ostensibly for the rights to the character, came to some sort of agreement with any other parties that may have had rights claims to the revived version of him, and most all the interested parties now accept that Marvel Comics owns both versions of Marvelman/Miracleman.

Starting in 2010, Marvel Comics began reprinting the original L. Miller and Son Marvelman, Young Marvelman, and Marvelman family stories, but stopped after a few albums  They have also completely reprinted all the "Miracleman" material available, including some unpublished material from the end of the run.

Much of the information in this post was drawn from the website and book "The Poisoned Chalice" by 

Monday, April 1, 2019

Marvel's "Captain Marvel" Carol Danvers movie review (Part 2)

           

Let's see, where were we...Oh yes, talking about the gender-switch of Mar-Vell.

There is a very important message in the film that the gender-switch enables, but there was another, non-gender-specific change to the character. I will cover later these later, as they are important factors in evaluating the film as a whole.

Vers breaks free from her imprisonment and proves to be a kick-ass badass. Though her hands are encased in giant cuffs that are blocking her photon blasts, she used the cuffs themselves as weapons, punching and kicking her way through a platoon of Skrulls.

In the course of her escape she crashes to Earth, landing through the roof of a Blockbister video, and the 1990's nostalgia and Easter Eggs begin. The very name of the store, of course, evokes what this movie will be once it goes to video. In the store she happens to pick up a box for the movie The Right Stuff obviously evoking her space travelling personae, referencing her Air Force test pilot past, and suggesting that she has the...you know...to be a hero. But behind her right shoulder we see the movies First Knight (which must be a reference to her leading position in StarForce) and Hook (which might be a reference to her forgetting, and later remembering, who she was when she was younger).

The loudest symbolic metaphorical element of the scene, however, is her blasting the head off of Arnold Schwarzenegger in a True Lies standee display. As we find out by the end of the movie, there are several layers of deception going on, and Vers has to peel them back, one by one, to find out who she is.

BTW, feel free to take a break from reading and enjoy this awesome little video that helped me remember which videos were in the store :)


Once outside the store, Vers meets with a local security guard, where we find out she has a "universal translator" and that she does not yet know that Earth (referred to by an alpha-numeric code designation) does not know that the Kree or the Skrulls exist. Moments later, we find out that she can use items found in a Radio Shack to turn a pay phone into an interstellar communications device, just like the extra-terrestrial in E.T. (which is technically a 1980's reference, but we still remembered it in the '90's).

Enter Samuel L. Fury.

Many reviews call this a "buddy cop" movie. There are actually quite a few "buddy" teams in this movie, each with a slightly different dynamic. It is almost as if this entire movie is about "buddies." These two-fers include:

Vers/Yon-Rogg
Carol Danvers/Wendy Lawson
Carol Danvers/Maria Rambeau
Carol Danvers/Monica Rambeau
Nick Fury/Goose the Flerkin
Talos/"Science Guy"

But the characters that spend the most "buddy" time together are Vers and Fury. They seem to have a sort of professional connection, being as they both have military experience and are employed in a combination military/law-enforcement capacity. This has to go a long way in explaining why they stick together for the rest of the film, otherwise, it doesn't make a whole lot of sense that they do.

But then, there are a few bunches of things that don't quite make sense in this movie. Or do they? In the course of the film, Vers rides a motorcycle, finds an internet cafe and uses Alta Vista to search for something, reads road maps and secret government reports, looks up files, and does other things that you would not expect someone who needs a "universal translator" to be able to do on Earth. But then, we haven't gotten to the big reveal yet, have we?

Vers, having landed on Earth in her Kree Battlesuit, swaps it out for a leather jacket/jeans/Nine Inch Nails T-shirt ensemble (I am sure someone more familiar with that band can share the symbolic significance of that shirt). She and Fury hit the road, have a bunch of exposition in which we learn a whole lot of backstory (that we might not have expected unless Wonder Woman had her lasso of truth around him) and wind up sneaking around an underground S.H.I.E.L.D. base finding secret reports that show that "Dr. Wendy Lawson" was working on a special space-plane and died in a crash. They also find that Maria Rambeau, whom Vers had been seeing in her dreams, was involved in the project, and that Vers herself had been there, too.

This gives us the plot turn that gets us to the biggest "fan service" that is unique to Marvel's Captain marvel in their cinematic universe: Monica Rambeau.

In the comics, Mar-Vell dies of cancer in a graphic novel published in 1982 some years after exposure to a toxic gas. This meant that the "Captain Marvel" trademark now had no character to hold it.

By this time in America, if any group of five or so portrayed in the media did not include least one woman and one black person it was extremely behind the times. Marvel did not have many female superheros and even fewer black ones, and only one who was both, and she wasn't even American. So it was decided to make the new Captain Marvel an American black female.

This is Monica Rambeau's place in the Captain Marvel history. The fourth superhero of the name, the second one in the third company to publish a Captain Marvel. She was a strong, smart, beautiful black woman whom even Captain America trusted enough to make leader of the Avengers. She kind of got screwed over later, being replaced as leader of the Avengers and essentially forgotten as the name passed to another character and she changed her superhero name to "Photon."

Lashana Lynch's connection to Monica Rambeau had been made apparent from promotional photos showing her in the cockpit of a jet fighter displaying the name and callsign Maria "Photon." Rambeau. The assumption that she was Monica's mother was quickly and correctly made by the fan community, and speculation arose as to where Monica would fit in.

After a fun chase-and-fight scene that revealed that Fury's boss (Ben Mendelsohn) is really a shape-shifting Skrull, and that Vers can fly a "quad-jet" (presumably a precursor to the Avengers' Quinjet), Fury and Vers make their way to the home of Maria Rambeau and her daughter, Monica. It is in this act of the movie that Vers gets to deal emotionally with the issue of having been Carol Danvers and having had a life on Earth. Maria was a very close friend, and Carol even used to call her daughter "Lieutenant trouble," (a not to a character in the recent Captain Marvel comics written by Kelly Sue Deconnick in which there as a young girl given that nickname by Carol).

It is also in this act in which we get to know the Skrulls as surprisingly human and vulnerable people. Talos and his "Science Guy" show themselves as a flawed team of semi-competents and that there is a boatload of Skrull refugees hiding out somewhere, trying to get to a safe planet.

Oh, and BTW, Fury met a cat named "Goose" at the S.H.I.E.L.D. base who tags along with them, and the Skrulls call it a "Flerken," a thing of danger.

After a little bit of 90's nostalgia of waiting for a CD-ROM file to load, Carol finds out that Mar-Vell's research was in part to help those Skrull refugees and overall to make a new lightspeed engine out of the power of the teseract that could end the war between the Kree and the Skrulls. Vers has the necessary flashbacks to remember her life before she was a test pilot, that an explosion of Mar-Vell's experimental engine had bathed her in radiation that gave her super powers, and that Mar-Vell was shot by Yon-Rogg.

This reveal both pays tribute and turns on its head the comic book origins of Marvel's Captain Marvel and Carol Danvers as a superhero. It also finally gives Yon-Rogg what he always wanted but never achieved in the comics.

Yon-Rogg's jealousy of Mar-Vell was the guiding motivation in all his actions while Mar-Vell was under his command as a spy on Earth. He tried to kill him, either directly or by proxy, on a regular basis. It was practically the plot device of default for the first year of the character's existence. But he never succeeded, eventually sabotaging his own career. In an issue of Marvel's What If...? Yon-Rogg not only threw away his career, but his life as well trying to do away with his rival for Medic Una's attention and and honor and recognition from the Supreme Intelligence. But in this movie he managed to get the upper hand on Mar-Vell, both by killing her and by stealing her friend/protege and making that person a Kree soldier/weapon.

The explosion in question, in the comics, was of a Kree device activated by Yon-Rogg called a "psyce-magnitron." Mar-Vell rescued her from that explosion, protecting her with his body, a move that was later retroactively explained as allowing Kree DNA to be absorbed into her body (This is called "retroactive continuity" or a "retcon" in comic book fan/historian parlance). It was a secret device, retconned into having the power to enable people to realize their desires. In the movie the explosion was of a cosmic power source harnessed into an engine by Mar-Vell, activated by Carol Danvers shooting it to prevent Yon-Rogg from getting his hands on it t Mar-Vell's urging.

This places the event that gave Carol her powers the result of her own action and an act for which only she can take responsibility. It was not an accidental incident. Though she had no way of knowing what would happen, she could have chosen not to pull the trigger on her gun. She could have run and tried to not get killed or captured by the approaching alien (Yon-Rogg, whom she had not yet met). She could have chosen not to take Mar-Vell (whom she only knew as Wendy Lawson at the time) up on the irregular, unauthorized test flight. She could have chosen to give up the Air Force Academy when it looked like she couldn't take the training. She could have chosen not to join the academy, not get up when brushed back by that pitch in Little League, not driven the kiddie go-kart so fast. But that is not her. She gets up, she fights back.

This is consistent with her character in the comics. The reason she still exists as a superhero, and what makes her important and a good choice for a character to lead the surviving Avengers in the battle against Thanos, why she is (finally) a good female role model, is that no matter how bleak things have looked for her (and things have been pretty darn bleak, believe me), she somehow, eventually, came back took responsibility, and did something about it.

I don't have time to go point-by-point on the many setbacks of her life and career, but believe me, you would be hard pressed to find someone who has taken the type of risks and come back from as many and as deep personal low points as Carol Danvers. So maverick-ly helping a ground-breaking scientist and blowing up a secret energy source are not the toughest things she has ever done.

But it does take Mar-Vell out of the equation as a direct source of her powers. She is an indirect source, as Carol would not have been in that predicament without her, but she does not protect her from the explosion, rather drives her to the act that causes it. Yon-Rogg gives her more than that, directly. A transfusion of his blood was given that may have saved her life (hence the blue blood she bleeds through the movie). The Kree soldier becomes the mentor/trainer/superior officer to the young female amnesiac he "rescues" from that explosion, in the process becoming a big, fat, liar. He used her to try to find what Mar-Vell was hiding, what she was doing on Earth. It was definitely a long-term game (taking 6 years of Earth time) but in the end, in the movie, as in the comics, his plot backfired. "Vers" (the name given to her because that part of her name was all that was visible on the fragment of her Air Force dog tag that the Yon-Rogg found) became a super-powered, highly trained warrior who decided to defend the Earth and help the Skrull refugees.

The rest of the movie is a series of reveals, including the location of the Skrull refugees (in a hideout that had a remarkably, ironically, symbolically metaphorical collection of American pass-time devices, from pinball machines to jukeboxes to super-soakers) collection, the plots and plans of Yon-Rogg and Ronan the Accuser, The truth behind the Flerken, how Nick Fury lost his eye, the origin of the Avengers Initiative, the fact that the device on Carol's neck was an inhibitor, not an enabler, and the full extent of Carol's powers.

The emotional payoffs to all the setups is worth it. Maria and Monica and Carol have an emotional reunion of sorts when Carol's memory returns, Maria gets to go into battle with her old, returned friend. Monica gets to help Carol decide on the colors for her Kree Battlesuit (paying fan service to other Captain Marvel costumes in the process), and Yon-Rogg gets his comeuppance from the final final defiance of him by Carol.

A few final thoughts about this movie will come in the next post...

For those of you who want to see a whole bunch of Easter Eggs and references in once convenient, fast-paced video, check this out...

Monday, March 25, 2019

ScreenJunkies News breaks down "Captain Marvel" box office conspiracy theories!

I am going to go there right now and say that I believe that the world will not end because Marvel's Captain Marvel" happens to send a positive feminist message. I believe that the folks who are screaming from their YouTube channels about how Marvel is "forcing a feminist agenda" down our throats with this "SJW feminist propaganda" are betraying a reactionary agenda and bias.

Apparently, many of these people have been saying that the movie would bomb, then that the great opening weekend was rigged, then that the downturn on Monday, and then the following weekend, proved that the movie and its message was not popular.

ScreenJunkies (who did not give the movie a stellar review) decided to do the research and figure out if there was any truth to these report of Disney doing things like buying out theaters and scheduling the release to maximize ticket sales to make it look like a successful movie when it would not be, among other things.

Without further ado, let's hear what he has to say...


...and on a note relevant to this blog, this is just one more piece of evidence that there is a Captain Marvel connected to EVERYTHING!

Sunday, March 24, 2019

Marvel's "Captain Marvel" Carol Danvers movie review (Part 1)



After all the fuss and sturm und drang regarding this movie, let me say: This movie was not what you feared. It is a good, exciting, superhero movie/'90's nostalgia film that you can enjoy without even having read any of the comics or seeing any of the other Marvel movies.

That being said let's get into this. SPOILER ALERT! This is going to be a full-service review/analysis, so if you are one of those "Don't tell me! The introductory paragraph to this post was too much already!" people, stop now and read my "Spoiler Free" review at http://captainmarvelculture.blogspot.com/2019/03/spoiler-free-marvels-captain-marvel.html

Captain Marvel follows the story of an alien Kree warrior named Vers (pronounced "veers") as she discovers her true origin and power when she spends time on Earth.

If you knew nothing about the character, and that this movie was part of the Great Marvel Cinematic Universe, that would actually make for a pretty good movie. A few little things could have been left out, but they were mostly amusing in context.

But such is the way with Marvel superhero movies, and part of the fun of them is to see them in context and get all those little references. But even so, even with those little things, there should be a good movie behind it, and this is a good movie. It is even a good superhero movie, and it has an important, if not unfamiliar message. But this message has not been spelled out quite this obviously and relateably as in other superhero movies yet.

But aside from being a superhero movie, the other big, important characteristic of this movie is that it is a 1990's nostalgia piece. As such there are many 1990's references made, but to the movie's credit, those references (for the most part) enhance the themes, plot, mood, and characters of the movie. There are a few throw-away jokes as well, but at least they fit within the scope and parameters of the film-making.

The story begins with us getting to know Vers (Brie Larsen). She is a warrior with a strike team of the Kree intergalactic empire who has mysterious dreams that are probably about her past, which she can't remember. The Kree have a thing called "The Supreme Intelligence," which seems to be the consciousness of the ruling faction of the empire. It might be some sort of psychic artificial intelligence, because one communes with it by being connected to blue organic wires that tap into your body, and you speak to an avatar that is supposed to be someone you feel you can trust, or something.

She is being trained and led by an officer named Yon-Rogg (Jude Law. The character's name is not mentioned until well past the halfway mark of the movie). He keeps on telling her to control her emotions in many different ways as it seems she has some kind of superpower of "photon blasts" she can shoot with her fists. They appear to be enabled by a gadget stuck to the back of her neck.

In the course of a military extraction operation gone bad against their mortal enemies, the shape-shifting Skrulls, she gets captured and her memories are tapped, revealing a life growing up on Earth, constantly being told that she cannot do things, from kiddie go-kart races to obstacle courses in Air Force training. But these dreams also reveal who Mar-Vell (Marvel Comics' first Captain Marvel) is: a Dr. Wendy Lawson (Annette Benning), a Kree in disguise on Earth as a jet plane researcher/designer for the US Air Force and/or S.H.I.E.L.D.

At this point it is important to start pointing out the differences between the movie and the comics.

Movie adaptations of comic books and comic book superheroes always have to make changes because the media won't tell the same story to the same effect. Some such movies are direct adaptations of specific book (like Watchmen, 400, and Sin City), and others are stories of characters that have had a long history in the comics (Superman, Batman, the X-Men, Etc). This is one in the former group. In such stories, their origins have probably been told multiple times in the comics by different writers and artists and with different focii, emphasis, dialogue, and sometimes even with details being changed. They have had years of adventures, battling against a variety of adversaries, with an ever-changing and evolving cast of background characters. Even their costumes/uniforms have doubtless changed over time.

This means the the producer/director/writer team has to decide what the essence of the character is, how best to portray that on the screen, and how to make the hero relevant for today to draw an audience of both the loyal fans and those in the mainstream who are unfamiliar. This may mean changing elements of the origin story, combining, changing, or replacing certain background characters, changing the superpowers, even adjusting the costume.

Sometimes these changes work, even brilliantly. Making Rogue be the introductory character of the first X-Men movie, for instance, gave the audience a hero whose very power (the uncontrollable ability to absorb someone's memories and  superpowers, if they have any) drove her away from her loved ones, a perfect metaphorical parallel for the experience of homosexuals and other outcasts for which the X-men served as identifiable characters.

Sometimes these changes don't work, or are simply irrelevant, like making Red Skull Italian in the 1989 Captain America movie. I mean, come on, the greatest foe of Captain America in WWII, Italian?

In the comics, Mar-Vell was male, and Yon-Rogg was his superior officer. Yon-Rogg sent him to Earth to spy on humans to determine if they should be wiped out. While it may yet be revealed in a future movie that this was the true reason Mar-Vell was on Earth, there was another aspect to his character that making her female completely swept away: Romance.

Captain Mar-Vell's girlfriend on the Kree ship orbiting Earth was Medic Una, and Colonel Yon-Rogg had eyes for Una. He was also jealous of Mar-Vell for his popularity and success. Thus he wanted to get rid of him. And when Mar-Vell was on Earth, he won the heart of Carol Danvers for rescuing her from various monstrous threats. They made out numerous times, and each time Yon-Rogg would make sure Medic Una saw it, in the hopes that she would forsake him.

Much as I can only imagine someone in the world might want to see Annette Benning as a lesbian cougar getting it on with Brie Larsen, and Jude Law as some sort of jerk who gets turned on by lesbians, or perhaps that the Kree are not so hung up on gender preference as us humans, making Mar-Vell female and eliminating Una in a Marvel superhero movie totally eliminates any romantic angle in the relationship between these three characters. On the other hand, it does serve a certain message of this movie that I will get to later.

TO BE CONTINUED...

SPOILER FREE Marvel's "Captain Marvel" movie review (Carol Danvers)

I enjoyed it.

Tuesday, February 26, 2019

TWO NEW TRAILERS! ONE FOR SHAZAM! ONE FOR CAPTAIN MARVEL!

So MovieAccessTrailers seems to like to put together videos of "coming attractions," book-ended by recent trailers. This is great because it gives us the opportunity to see a whole bunch of footage of the movies in one convenient video. So without further ado, here is the one for DC's upcoming "SHAZAM!" movie:


In it we see Sivana shooting lightning from his fingers, money flying out of an ATM into the hands of the hero and Freddy Freeman, a new member of the "Shazam Kids," and repeated viewings of what is possibly the coolest shot in any Superhero movie, Billy Batson jumping off a building, saying the word, and, in a flash of lightning, transforming into the hero.

Here is the one for Marvel's "Captain Marvel" movie:



The heading is a bit misleading. We don't see any Minerva-Ronan fight, What we do get is Annette Benning as a maternal figure, a brief look at Korath with laser wings, more Brie Larsen/Samuel L. Jackson banter, a Jude Law/Brie Larsen fight/training sequence, some air force buddy-banter between Lashana Lynch (Monica Rambeau's mom) and Brie Larsen, and footage of Brie Larsen jumping on a train and crashing a plane.

I am going to update this post with some analysis later.

Monday, January 21, 2019

MIRACLEMAN! the Marvelous revival of the British Captain Marvel Rip-Off! (Part 9 of the Blog History of ALL the Captain Marvels!


    

When last we left our hero, Marvelman (the British rip-off/follow-up/substitute to Captain Marvel created by Mick Anglo in 1953), his publisher, L. Miller and Son, had cancelled publication in 1963, due mostly to new competition from American superheroes.

In the succeeding years, the company, whose name had been changed to L. Miller and Co. (Hackney) in 1959, faced a variety of adversities as they changed their business several times (including becoming a film producer), and folded in 1974 for an accumulation of reasons. According to The Poisoned Chalice by Pádraig Ó Méalóid, there was no mention of the ownership of the Marvelman character in any document relating to the closing of L. Miller and Co. (Hackney). This will prove to be important later, as we will see.

In March 1982, a new British company called Quality Communications Ltd. launched a comic magazine named Warrior featuring several new stories, including a revival of Marvelman. Quality Communications Ltd. had been founded by Dez Skinn, a British comics professional who wanted to create a new monthly anthology comic magazine with a dark edge, and wanted to include a superhero character, preferably a revival.

Alan Moore was an English comic book writer who had recently done significant work for the British anthology comic 2000AD and for Marvel UK's line of comic books for the British market. He had become a fan of Marvelman through the 1960's and 70's, reading the old comics, and even envisioned doing a Mad Magazine-style spoof.

Alan Moore was given the job of writing this revival, and Garry Leach was the first to draw it. This is generally acknowledged to be the first "post-modern" superhero comic book.

Context of the term "post-modern" in superhero comic books: In the comics of the Golden Age (1930's - early 1950's) and early Silver Age (mid 1950's to late 1960's), superheroes were mostly simple creatures, beloved by the public, unburdened by excessive personal problems and existing in a world in which the biggest challenge a superhero faced was a supervillain, not the daily challenges of paying the rent, getting along with fellow superheroes, and negative public opinion.

The first "modern" heroes appeared in the early 1960's, when Marvel Comics introduced their new superheroes such as The Fantastic Four, Spider-Man, The Avengers, and the X-Men. With stories and dialog written by Stan Lee and pages of pictures drawn by the likes of Jack Kirby and Steve Ditko, these heroes were more human. They bickered and quarreled, faced practical challenges of relationships and bill-paying, and were not always the "beloved idols of millions."

Alan Moore's Marvelman broke new ground in not just considering the personal effects of a superhero career, but also the ultimate, apocalyptic potential of super-powered humans in the real world. The hero and his alter-ego were actually separate people who switched places in a limbo-like dimension through the transformation that occurred at the sound of the word "kimota!" Micky (now Michael) Moran had grown up to be a pudgy, middle-aged schlub working as a journalist who had completely forgotten about his time as a superhero. A stressful incident with nuclear terrorists awakened his memory, but the world into which Marvelman awoke was not the one in which he had previously lived. His "mushroom cloud" transformation did physical damage to people and the area around him. His super-strength near-killed every normal human he fought. And it was the tension-fraught 1980's of Margaret Thatcher and the Cold War, not the friendly 1950's of cartoony mad scientists and fictional foreign dictators in which he found himself.

The villain turned out to be Kid Marvelman, who had not transformed back to his normal human alter ego in twenty years, and was now a charismatic business tycoon, pretending to be his look-alike alter ego, Johnny Bates. He was ultimately revealed to be a sociopath with the power to fulfill his basest desires by the most  destructive means, often graphically depicted. In the meantime, Marvelman's powers seemed to defy the laws of physics. And though he still had a basic underlying personal similarity to Michael Moran, and looked like an idealized, super-fit version of him, he proved to be smarter and more charismatic, and made love to Michael's wife in a fantastically superior manner.

The story did not reach its apocalyptic climax in the pages of Warrior, however. 

Before it got to that point, creative differences and financial difficulties led to Alan Moore and new artist for the strip Alan Davis to cease working for Dez Skinn. The Marvelman strip therefore made its last appearance in Warrior in August, 1984, after 112 pages, and with a cliffhanger.

Soon after, attorneys for Marvel Comics sent a cease-and-desist letter to Skinn, claiming that the use of a character with the name "Marvelman" misrepresented Quality Communications as the company that owned the trademark on the word "Marvel" and the name of the superhero "Captain Marvel," Marvel comics. Skinn (and his attorneys) had a lengthy correspondence with Marvel's attorneys, but the days of Warrior were numbered. Its last issue was #26 in February, 1985.

NEXT: The Marvelous Miracle! Or was it Miraculous Marvel?





Some important parts of the information in this post were drawn from http://www.comicsbeat.com/poisoned-chalice-part-4-intermission-1963-to-1982/, a very thoroughly researched work about the history of Marvelman.









Tuesday, January 15, 2019

Marvel's Captain Marvel (Carol Danvers) Third Trailer review!

Once again, we interrupt the "Blog History of Captain Marvel (all of them!)" to bring you the latest news about an upcoming Captain Marvel movie.
          

So, here is the third (and allegedly final) trailer for Marvel's Captain Marvel movie, a.k.a. "Special Look":

This one fleshes out a bit more of Carol Danvers' relationship with Nick Fury and the background and plot of the movie.

Combined with other evidence, it has been figured out that the leather biker jacket Carol is wearing (and presumable the helmet and motorcycle) were taken from Rob Kozinsky's character. This is clearly a Terminator 2 reference.

Skrulls are eclearly established as shape-shifters, and no doubt is left as to the race of the old lady on the subway.

Carol Danvers can shoot photon blasts out of her hands! (Reference to Monica Rambeau, Marvel's first female and only black Captain Marvel, whose mother appears in the film as a fellow air force jet pilot to Carol Danvers?)

Nick Fury tends bar in a dive in the middle of a western US desert. And what is it about Fury's left eye? We know he loses it later, but here he gets a serious cut over it. Perhaps he should learn to protect it better? Maybe not drop his left when he throws a punch?

That injury apparently happened after he first met her, as that shot of him knocking on the window nd removing his glasses did not include the eyebrow injury.

Jude Law's character (whom I am assuming is Yon-Rogg because the Funko Pop character with the same Kree-Starforce uniform, who happens to be the only male Kree in Starforce with a Caucasian face, is named so) is Carol Danvers' trainer, but there is some tension, as he warns her of reaching beyond her grasp.

Vers (as the Funko Pops reveal will be Carol Danvers' Kree name) has no memory of her past. While this might have been a reference to her split personality in the original comics (Carol Danvers wooed have memory blackouts and Ms. Marvel would not know who she was), but the YouTube breakdowners are all saying that there may well be some sort of false memories planted in her head.

Brie Larsen's performance is given more screen time than the two lines she gat in the first trailer. She has goen from deadpan to deadpan snarky.

One consistent thread through all of these trailers has been Carol Danvers falling and then getting back u p. It is my expectation that this will be the dominant theme of the picture. Carol stumbles. Carol makes mistakes. Carol bites off more than she can shew and fails, fall, collapses. But shew gets back up. Each and every time she rises up again, stronger, wiser, and more determined than ever to lick that challenge.

This is what makes HER a HERO.

Here are some easter egg/breakdown/commentary videos:

...and here are some "reaction" videos:

...and we finish it up with a couple of "reaction mashup" videos...