GENIS, PHYLA, AND MONICA: Marvels in the New Century (Part 15 of the blog history of ALL Captain Marvels)

As the first decade of the New Century ground forward, Marvel Comics found itself with several Captain Marvels and a seeming lack of ability to make any of them "stick."

The most game, and outrageous, attempt, was Peter David's version of Genis-Vell. To catch us up on his status at the time, here is the "splash page" from an issue of that era...

Genis-Vell, as written by Peter David, had gone mad from his constant "cosmic awareness." He also had omnipotent power. This made him a self-described "mad god." He killed himself to end it all, but it didn't stick. He wound up convincing Entropy, (one of the Cosmic Entities of the Universe), to kill his brother Eternity, thus ending the universe. The only survivors were Entropy, Epiphany, Genis-Vell, and Rick Jones. The resultant nothingness was boring, so Rick and Genis convinced Entropy to remake the universe exactly as he knew it, and Entropy became the new Eternity.

    

This was actually the origin of Marvel's next Captain Marvel. Try to stay with me on this...

In this new universe, things were ever so slightly different. Genis-Vell was not quite as insane as he was in the original universe. However, the Genis that had existed in the past of this new universe that was just created (complete with a past and everything, so the experience for Genis and Rick Jones was rather like picking up a familiar book and opening it in the middle) was replaced by the Genis that had existed in the original universe (the titular character in this eponymous comic book).

Also in this new universe, Genis-Vell's mother Elysius, who had died in the original universe, was alive here, was aware of the Universal Recreation, and did not like the new Genis-Vell. So she cloned Mar-Vell again, this time into a female named Phyla-Vell, artificially aged her  (as she had Genis-Vell), gave her nega-bands, and made sure she had her father's cosmic awareness. She was to replace Genis-Vell as "The New Captain Marvel."

 

  

The obligatory conflict ensued, and when the dust settled, Genis-Vell claimed that he was no longer insane and would work to improve himself and make the universe a better place. Was this the truth, or was he now just going to hold his insanity closer to the vest? Only time would tell.

Or would it? Genis and Rick went on to have a few more adventures, one that proved to make him the most tragic superhero ever. It was a time-travel story that led to him deciding to kill his baby son in his crib to  prevent him from growing up to be a super-powered evil galactic emperor. This story confirmed that he would marry and have at least one child with the reformed super-villain, Songbird.

  

The series was cancelled with the following issue, in a finale that revealed that Rick Jones actually knew that he was in a comic book. In that final issue, it was also revealed that Phyla was a lesbian and she hooked up with the psychic superhero Moondragon, daughter of Drax the Destroyer.

 

Expediency, one of the "Friendless," personifications of aspects of the universe, informs Genis-Vell of the end of his series.

Matthew Younker wrote a great little article about Genis-Vell's insanity for PopOptique.

Genis-Vell then joined the team of reformed super-villains known at the New Thunderbolts (in their self-titled series), of which Songbird was a member. He was killed by the team's giant, Atlas, in a manipulated rage over a her, then came back to life with a new power set and took on a new name, "Photon."

   

This last part pissed off Monica Rambeau (again), but in a discussion over beers, she decided to call herself "Pulsar."

Genis eventually proved to be an unstable element in the space-time continuum and was torn into pieces and sent to the far corners of space and time by Baron Zemo. He has not been seen since, despite not yet having married Songbird.

 

Phyla, meanwhile, spent a brief time as a Captain Marvel, but then gained the quantum bands of  Quasar, Defender (not "protector") of the Universe, and took on that mantle. She served with the Guardians of the Galaxy and went through more drama (at one point, Moondragon actually became a real, space-faring dragon, and the two became the hottest cross-species lesbian superhero couple in comics). She was involved in several company-wide crossover events with the Guardians. Eventually she changed her name to "Martyr," and ultimately got killed. Twice.

  

Phyla-Vell getting killed by Magus, the future, evil version of Adam Warlock.

Meanwhile, in 2006-7 Monica reappeared as the leader of a new, satirical superhero team, NextWave, Agents of H.A.T.E., in their eponymous, possibly-not-in-canon 12-issue limited series.

   

In the course of their (mis)adventures, the team faced the satirical character Forbush-Man. When exposed to his "Forbush-Vision," she faced herself as a mash-up with Mar-Vell and the Ultimates Mahr Vehl with just a touch of SHAZAM! and Superman...

In 2009, she appeared in a mini-series titled Marvel Divas, a sort of Sex and the City take on the friendship between several female superheroes in New York City.

      

Then, in 2013-2014 she became the field leader of the Mighty Avengers, a new version of Marvel's premiere superhero team, this time led by Luke Cage, Power Man, and notable for having not one member who was not female or a person of color for a time.

  

More about Monica Rambeau, and how she teamed up with Carol Danvers, to come!

There is a nice "pull list" of Monica Rambeau at the ScyFy Wire.

Part 16: CAPTAIN AMALGAM!
Part 15: GENIS, PHYLA, AND MONICA: Marvels for the New Century!
Part 14: Power of SHAZAM!
Part 13: The Legacy of Mar-Vell!
Part 12: The New Beginning for SHAZAM!
Part 11: SHAZAM's World's Finest Crisis!
Part 10: The Marvelous Miracleman!
Part 9: Miracleman! The Marvelous Revival of the British Captain Marvel Rip-Off!
Part 8: Marvelman!
Part 7: Death and Energy!
Part 6: Whatever Happened to Carol Danvers?
Part 5: The DC Revival!
Part 4: Marvel's first Marvel!
Part 3. I Gotta SPLIT! XAM!
Part 2.  The Silver Influence
Part 1. The First Marvel and the World's Mightiest Lawsuit

AVENGERS: ENDGAME review: FRACK YOU ALL! (minor spoilers embedded in the text)

Another short break from the ongoing saga of the many Captain Marvels to cover this rather important movie in superhero cinema history...

Frack you all, you anti-SJW push-backers, claiming that the two most recent Marvel movies would be feminist propaganda! Frack you, those complaining that Carol Danvers/Captain Marvel being the strongest hero in the Marvel Universe would turn her into a Mary Sue and disrespected the God of Thunder. Frack you all for making me have that in my mind as I was experiencing the awesomeness that is Avengers: Endgame!

Frack you all, also, who claim the the movie is just a big pile of contrived fan service. I did not go to the movies tonight to NOT see every hero in the MCU get a well-deserved moment on screen!

The message of the movie is what the Avengers movies have all been about: teamwork and sacrifice. It is about working together to succeed at an objective. It is about finding the right place for each member of a team according to their abilities. It is about being willing to sacrifice everything and fight to the end if you believe in the objective for which your team is fighting. That is the awesomeness that is Avengers: Endgame!

Now some elaboration...

For months, now, folks at Marvel were saying that Carol Danvers/Captain Marvel was going to be the most powerful hero in the Marvel Cinematic Universe. "But what about Thor!?! You are disrespecting him!!!" was the plaintive cry of those who are "sick and tired of all this SJW nonsense in comic books." and claim that the push for "diversity" is killing comics; the "Carl Manvers" haters and Brie Larsen detractors who take offense at being told that a certain movie was not made for "40-year-old white dudes" and just can't get enough of that shot of Don Cheadle pulling away from Brie in that TV interview.

Here is a wake up call and analysis of the MCU and this movie and how Carol Danvers/Captain Marvel fits into it:


The MCU needed a Superman. Thor is not a Superman, because he is too flawed. He had been a flawed character from the beginning, and his journey has been one of self-discovery. Growing up he was so strong and so mighty in a culture that valued being strong and mighty that he could do no wrong. But from his very first movie on, the way to make something a challenge for him was to get him to fall victim to his pride and doubt himself. By the time the story truly begins in A:E, he has truly lost all his mojo because he failed, big time. It was perfectly within his character for him to react that way, and that made him more human, more entertaining, and his recovery more heroic. His heroic story arc is about earning his power by learning humility and overcoming depression.

Carol Danvers' story arc is about realizing her power in a culture that does not value women for being strong and mighty, and her independence in a culture that is subservient to the will of an authoritarian dictatorship. Her knock-downs are not blows to her pride, but rather challenges to her might. For dramatic satisfaction, the Superman that this movie needed needed had to be one that was a surprise to Thanos and a surprise to the audience. Who'da thunk that out of nowhere, from the far corner of the universe, would come a woman with the power of a star who can take a punch like no other superhero can?


Now the universe is facing a threat even more challenging than Superman's Doomsday in the DC Universe. Thanos is not only big, strong, and nigh-invulnerable, he is also brilliant, determined and erudite. He also leads a huge army of alien monsters and demons and things. He also has a spaceship capable of raining fire onto the surface of a planet. Even putting every Avenger on the table, along with the combined might of Wakanda, Asgard, and the Masters of the Mystic Arts, is not going to stop that. So they need a game-changing, field-clearing superpower who is super-strong, can fly, and is invulnerable, and does not have the issues of pride and self-doubt that plague Thor whom Thanos has not yet faced and for which he is unprepared.

Besides, we have seen plenty of movies in which Thor gets all thunder-godly and saves the day. It's good to mix it up once in a while. And just because there is a great and powerful female superhero in DC's cinematic universe does not mean that Marvel should not have one. And just because Wonder Woman manages to pull of elegance, style and glamour does not mean that having a butch, kick-ass chick with short hair who wears dress pants to a funeral is a bad thing. My girlfriend loves her, and is making a renaissance outfit styled after her costume. And as a blonde, I like having a superhero with hair like mine.

Having a character with her power-set means that you can have people stranded in space being rescued by a superhero. You can have someone fly through a giant spacecraft to blow it up. You can have someone who Thanos cannot defeat simply by punching in the face.

And she has had powers like that for a long time in the comics. Get over it.

But won't such a character just make the fight too easy? Well, no. Because this character has been off helping the rest of the universe while Earth's Mightiest Heroes have been serving and protecting Earth. Therefore, she is not on the spot when such a character would have solved all their problems lickety-split (which is kind of a shame, because I wanted to see more of her in this movie). Also, Thanos is tough and smart enough to keep it from being too easy for her, even if he is initially taken by surprise.

Furthermore, Thanos and the Infinity Gauntlet are more than just a big, strong alien with a weapon, and she lacks certain attributes and abilities that turn out to be the final gag that saves the day and wraps up the whole Marvel Cinematic Universe Epic up in a perfect full-circle payoff.

And just because there is a moment when all the female heroes in the battle assemble and step up to the plate to advance the task at hand does not make this "feminist propaganda," nor is it a "Mary Sue" moment. Every single one of those characters had been established to have abilities, went through heck to get there, and were indispensable for the task at hand.

And is that moment, and every Carol Danvers moment, contrived fan service targeted at the feminist market? Well sure! And why the frack should that not be part of a movie in which every element of every Marvel movie up 'till now gets a moment to be noticed, recognized, and advance the story? There are fans of Marvel movies, of superheroes, of comic books, who like seeing females save the day. There are girls and women who want their heroes to have chromosomes like them, who want to see that women can also have superpowers, that they can play with the big boys if they really want to. Just about every other fan demographic was served in this movie, why not this one?

And besides, only one of these fan-service moments could be the one that saves the day. But even that one could not have happened were it not for every other one making it happen. I am talking now both in terms of story-writing and plotting. The situation was set up so that there was no other way for the heroes to win other than with that one hero doing what he did, and there was no way that hero could have done what he did if the rest of the heroes did not do what they did to enable that moment. Remember, it has been established that there were over 14 million possible outomes, and in only one of them would the heroes win. It only makes sense that it would have to be the one in which every  hero (almost) gets their moment to ante up and pitch in, in which every villain (almost) gets involved in the story to some degree, and we have to revisit every step (almost) that we have taken on this journey with the heroes that got us to this moment.


I m just going to take a moment to digress here...

We are fans of these heroes, much like sports fans are of their favorite teams. We live and die with these heroes, and laugh and cry as they go through their ups and downs. It is fiction, of course, but when the projector is running, and the pages are turning, the "It's still real to me" pro wrestling dynamic.

I am a big sports fan, particularly of my NY Teams, the Yankees, Giants, Rangers, Knicks, and whatever is the NYC team of whatever short-lived alternate sports league happens to be open this week. In 1986, the NY Giants had a dramatic, near-perfect season that took them all the way to the Super Bowl, where they won their first NFL championship  in over two decades.

That Super bowl was an almost perfect game for a Giants fan. It started out pretty even, going back and forth between them and their opponents, the Denver Broncos (with future Hall of Famer John Elway). But Phil Sims had the game of his life,  and everyone on the team had a moment to pitch in and shine. Running backs Joe Morris, Maurice Carthon, Ottis Anderson, and Lee Rouson, tight ends Mark Bavaro and Zeke Mowatt, linebackers Lawrence Taylor and Carl Banks, defensive end Harry Carson, wide receiver/kick returner Phil McConkey, nose tackle Jim Burt, offensive lineman Brad Benson, even the punter Sean Landeta and kicker Raoul Allegre (one of three kickers they had that season) and late-season addition safety Tom Flynn got in on the action either in the Big Game or the playoffs. I got total fan service for all my favorite players that day!

Not to mention, of course, that I got the ultimate in fan service: A Super Bowl victory that paid off a decade and a half of disappointments as they went from hapless to hopeful and back again year after year.

This movie is the Super Bowl of superhero movies. It is the championship game, the big kahuna, an all-the-marbles, blow the works, shoot the moon, no-tomorrow, apocalyptic blowout in this ever-gun-brought-to-bear, every-trick-in-the-book-played, nothing-left-on-the-table-or-in-the-gas-tank, finale, and only after every possible option is explored and every opportunity taken, do we finally get to the one last, best, but only hope, and that could only be the most perfect conclusion that the past 12 years of movies have set us up for.

It would have been interesting to see more of how society was adapting to the sudden drop in population. The bar for how to do multi-character superhero battles in terms of clarity, drama, and pace was set in Captain America: Civil War, and for all the epic scope and fan service, it is not matched here, though it is still exciting and awesome and not to be  missed. Some of the CGI is a little distracting, looking a little unreal, as if they needed to take another few passes with it to look real next to real-life actors. I do want to mention that it was great to see that Jim Starlin, who created Thanos, get a little cameo, that Stan Lee's cameo is awesome, and that it was interesting seeing which characters had their creators acknowledged and which did not in the credits.

So, in sum, frack the critics and haters, if you want to see the championship game of superhero movies, go see this!

Oh, and for those who are counting, here is a breakdown of screentime for most of the major characters from https://www.express.co.uk/entertainment/films/1119712/Avengers-4-Endgame-okoye-screentime-poster-danai-gurira-black-panther-2:

Iron Man: 1hr 2mins

Captain America: 1hr 6mins

Thor: 45mins

Hulk: 40mins

Black Widow: 33mins

Hawkeye: 37mins

War Machine: 35mins

Ant-Man 38mins

Nebula: 41mins

Rocket: 36mins

Captain Marvel: 15mins

Valkyrie: 8mins

Wong: 6mins

Okoye: 6mins

The True Story of ALL the Captain Marvels! DEATH AND ENERGY! (part 7 of a bunch)

Some of the sources of and publications mentioned in this post can be found among these fine products:
      

By the early 1980's, comic books had regained a lot of the creative diversity that had been lost since the establishment of the Comics Code in the 1950's and were exploring new territories of creativity and publishing formats. Independent comics companies were publishing stories with creator-owned characters that included content that would not have passed the Comics Code. Writer/artists like Will Eisner and Gil Kane were creating stories in formats that came to be called "graphic novels." Marvel Comics decided to get in on this trend.

For several years, Marvel had been producing Epic Illustrated, a slightly toned-down version of the adult sci-fi/fantasy magazine Heavy Metal (itself an American version of the French Metal Hurlant). Now they decided to launch a new line of comics with creator-owned properties under that same "Epic" imprint. At the same time, they decided to launch a line of "graphic novels," which would basically be large, premium format, self-contained, novel-length comic books.The first of these would be The Death of Captain Marvel.

 

Jim Starlin, who had made a name for himself, and Mar-Vell, with his Thanos War, agreed to take the job, provided Marvel would publish his creation, a character and comic series named Dreadstar, in their new Epic Comics line (This was the latest of a continuing epic that had been preceded by an ongoing series in Epic Illustrated called Metamorphosis Odyssey and a graphic novel called The Price). Starlin had been the one who had given Mar-Vell his cosmic awareness in the Thanos War, and was the writer-artist most strongly identified with the hero.

 

Starlin used the job the help him deal with the recent death of his father by cancer. In the story, Mar-Vell succumbed to a cancer he had contracted, ret-conned into an incident in which he had sealed a poison gas canister with his hands. The graphic novel is very highly regarded, often making it into top-ten lists.

So Marvel Comics had this trademark, but no living character to cover it. It was noted that the name was no-gender-specific, and there were not many black female superheroes around, so it was decided to make the new Captain Marvel a black woman.

First appearing in Amazing Spider-Man Annual #16 (1982), Monica Rambeau was a New Orleans harbor patrol officer facing the "glass ceiling" (for her gender, not race, as was apparent because her boss was black). In the course  of investigating suspicious doings on an off-shore rig, an explosion bathed her in extra-dimensional radiation that gave her the power to become electromagnetic energy (visible light, x-rays, gamma rays, ultra violet, etc.). A Mexican guard had overheard a friend calling her "Mon Capitain" and, slipping into unconsciousness after witnessing the explosion, mumbled "El Capitan es un maravilla..."

 The next day the newspapers read "Who is Captain Marvel?" and the name stuck. She was invited to join the Avengers as a "probationary" member, but proved herself quickly enough. She studied all the records of their foes and was able to direct the battles against them. Eventually Captain America selected her to replace him as leader of the Avengers.

In my personal opinion, she made a better feminist role model than Carol Danvers/Ms. Marvel. She was strong and independent without being socially aggressive. She dealt with her uncertainties (should she be a superhero? Should she lead the Avengers?), maturely, seeking opinions from those she trusted, making up her mind, and not losing sight of her objectives. She also did not have that whole "Schizophrenia" thing that Carol Danvers had in her early days as Ms. Marvel. Or any of Danvers' soap opera drama, for that matter.


In time, however, the decision-makers at Marvel wanted to bring back Captain America as the leader of the Avengers. This bothered Roger Stern, whiter of the book and co-crater of the character. He did not feel it would look good to get rid of a black, female superhero from the lead position of Marvel's premiere superhero team. Stern quit the book, and a story was concocted about how a character named Dr. Druid used mind powers to manipulate events to get himself elected leader. As part of that storyline, Monica lost her powers and nearly died battling a sea-creature, and was a wasted husk of herself afterwards.

She eventually recovered and regained a slightly altered version of her powers...but that is a story for another time.

NEXT: The Crisis of 1986!

The below items also contain material mentioned in this post:
                 

Carol Danvers to appear in "Avengers: Infiity War"? Clickbait speculation

Based on both confirmed and unconfirmed reports and creative speculation, the idea is now kicking around the Interwebs that Carol Danvers/Captain Marvel will be appearing in one of the upcoming "Avengers: Infinity Wars" movies before her own eponymous film.

I first stumbled upon this concept in this post by Athena Parnada on YouthHealthMag (gotta love Google Alerts for finding it). what a Youth Health on-line magazine is doing chating about internet rumors about superhero films I do;t know, but the post provided links to a bunch of other articles and posts, including what seems to be the origin/source of this concept, this post by Eleanor Tremeer on MoviePilot.

To sum up, it has been confirmed by the people who made such decisions that 1) Carol Danvers/Captain Marvel was, at one point, going to appear in "Avengers: Age of Ultron," but then was written out, and 2) that she is not going to appear in the next "Guardians of the Galaxy" movie. with rumors and reports running rampant that several major characters are going to be killed in the Infinity Wars, this would make room for a character like Carol Danvers/Captain Marvel to fill in the void.

Personally, as I posted in my first article in MoviePilot, I think that it would be very nice if somehow Captain Mar-Vell, Marvel's first Captain Marvel, the Kree warrior/cosmic space hippie, were to be involved with Carol's storyline and origin. It was his heroic example of courage, decency, and self-sacrifice that inspired Carol to be the superhero she is; his mission to Earth, battle with Colonel Yon-Rogg, and DNA that gave her the powers to become Ms. Marvel; and his battle with Thanos that put the villain on the map. To have Carol, Thanos, Ronan, the Kree, Drax the Destroyer, Gamora, and the Cosmic Cube all in the same Cinematic Universe and not have the one character that tied them all together in the comics appear in the movies just seems like a waste of a great character.

What do you think?