Outlaw Heroes...thanks to Dan Didio (Part 1)

At NY Comic Con last month, I attended Dan Didio’s panel in which he has a semi-informal discussion with some of DC’s top talents and the audience. I was ostensibly there to ask him questions about Captain Marvel, but I didn’t want to be a dick and hijack the panel, so I listened and participated in the spirit of it.

He asked some interesting questions and invited the audience to share their answers. Again, not wanting to be a dick, I did not raise my hand every time and beg to be picked, but upon reflection, those questions inspired me to come up with some interesting answers, so I would like to share them with you here now.

One of the first questions was “What was the first comic you ever read?” I can’t remember which comic book was the first I ever read, specifically. Comics have always been a part of my life. However I can remember how some of the first few superhero comics I read gave me a very specific impression of a superhero that was probably unique to the time.

The time was the early 1970’s, and between Vietnam, Watergate, and the rise of the various youth counter-cultures,  in the popular mainstream it seemed that governmental authority was not infallible, and the hero maybe the hunted. I may have been vaguely aware of this dynamic from other elements of culture and media that I absorbed, but it really came home to me in superhero comic books.

The three comics in question were issues of Batman, Spider-Man, and Tales of Suspense featuring Captain America.

The Batman story was part of a storyline in which Batman was accused of the murder of his adversary Ra’s Al Ghul. When the story began, he was already being hunted by the police, and unearthed the dead man’s grave to find it empty. At that moment, two cops found him. He fought them and dragged one of them to the grave, only to find the body or Ra’s in it, where it had not been before! The story ended with Batman still on the lam ad Commissioner Gordon continued to direct the manhunt against him.

The Captain America story involved an imposter with a ray gun on his wrist leading high-profile bank raids. This, of course led to Captain America being a hunted man. Cap ultimately defeated the crook, but not before there were serious doubts as to whether or not he was still n the right side of the law.

Finally, the Spider-Man story was the famous first appearance of the Punisher. I don’t have much memory of this story, as the comic disappeared from my life not long after I acquired it. Lost or stolen, I imagine. I do remember that the Punisher was trying to hunt him down in the belief that he was a bad guy, and the police didn’t seem to like him much either. There was an air of desperation about his life that impressed me well.

So with these three stories, I was of the mind that to be a superhero was to be outside the law. That wearing a mask and costume to fight crime was a thing that the police and authority did not like. But since these characters were the sympathetic characters of the story, that meant that rebel fugitives were the good guys and law and authority were the bad guys.

This sort of view of things was only reinforced as I started to learn about the American Revolution (this being the bicentennial decade) and read about folks like Paul Revere doing things under cover of night to avoid the redcoats.

Next:

Artists and heroes.

Shazam: Convergence review part 3

(continued from previous post)...Of course, a "by the numbers" adventure with the Marvel Family is still fun (especially when you add Mr. Taawny in an open-cockpit WWII fighter plane). And the subtle combination of the lighthearted elements of the Shazam heroes and villains with some logical character explorations and the deeper, darker dimensions of the Multiverse was handled with great skill, allowing the reader to enjoy the ride while appreciating the depth.

But as I said, a great opportunity was missed here. Gotham by Gaslight, on its face, appears to be a drastically different world than that of what DC called "Fawcett City" on Earth-S or Earth-5. It is a dark, scary, treacherous, mysterious, well...Gothic...place. However Billy, Mary, and Freddy are not actually strangers to such a world. On several occasions, both individually and as a family the Marvels found themselves in such environs, Freddy in particular lived in a quasi-gothic evnironment, especially when drawn by Mac Raboy. He dressed in rags, lived in a run-down boarding house, and often found himself defending orphans, waifs, and even magical fairy creatures that would not be unfamiliar to a Victorian audience.

It would have been interesting to see the Marvel Family deal with the challenges of a dark Victorian, steampunk adventure in a full-length story. In their human selves, I could see Billy, the young adventurer, intrepidly seeking clues, while Mary, the adopted daughter of privilege, and Freddy, the poor orphan boy, being concerned with the welfare of the downtrodden. As their heroic personas, Captain Marvel would be initially perplexed by the mysterious ways of the creatures of darkness, Mary Marvel would be drawn to the plight of the underclass, while Captain Marvel Junior would use his familiarity with the environment to start to see the solution. Together, their wisdom and courage would see them through. It's quite possible their strength, speed, and abilities would help the Batman of this world solve a mystery that had eluded him, and perhaps, in a more ambitious tale, would even help him solve a particular social evil.

But this was just a one-time, two issue story that was part of a bigger, company-wide, crossover epic. We will probably never see this combination of characters and worlds ever again (outside of fan fiction, of course). In time, it will be reprinted in a trade paperback collection, perhaps a giant omnibus edition, but it is unlikely that it will be one of the Great Epic Tales that will be remembered in the annals of comic book history.

So we will see what DC will do with the former Fawcett characters in whatever world will emerge from "Convergence.." I hope they will return these characters to their roots with their original names, powers, and characteristics. They cave the DC universe a lighter touch and needed balance when things got all grim 'n' gritty in the 1990's. I prefer that Billy and Cap have separate consciousnesses, but if they must have the same mind, at least have Billy be the kind of kid to whom you would want to give superpowers. If you want to have a troubled kid find redemption, make up a new character. You could even have him be in the "Shazam" family, but let the first, the original, the leading Hero of the Word be a brave, pure, good soul to set an example for the rest.

"Shazam" Convergence review part 2

Because nobody who reads comics can possibly expect anything in one comic book by one company to not affect anything in any other comic book by that company (and maybe other companies as well), when change happens, it happens big. Also, when you make a big change that affects every character in every book that you sell, everyone is going to have a reason to buy the book that month, and possibly other books as well.

This has been a guiding principle of the major companies that produce superhero comics since the 1980's; every few years try to raise the stakes and come up with the GREATEST, MOST AMAZING, REVOLUTIONARY, MIND-BLOWING CHANGE EVER! This week it was "Convergence."

So we got these 52 universes, right? So instead of letting them exist and visiting them occasionally, let's BLOW THEM ALL UP IN A MASSIVE CROSS-OVER BATTLE EPIC!

So DC has revived the heroes and villains of various past titles, storylines, and alternate universes in its history and mashed them together in titles that place them in conflict with each other. In the case of the classic Marvel Family (aka: "The Shazam Family") they get placed in conflict with the world of "Gotham by Gaslight," a late-Victorian version of Batman that has come to include such genres and tropes as Gothic horror, German expressionism, pulp adventure, and steampunk.

The two-part mini-series "Convergence: Shazam," written by Jeff Parker and drawn by Evan "Doc" Shaner, starts on Earth-S, or at least that's what it says inside the front cover of the comic. The world is much like that in the DC "Shazam!" stories between 1972 and 1985, with all the same characters (Billy, Mary, Freddy, Uncle, Mr. Morris, Tawny, etc) and there is plenty of "fan service" in things like brand names and background characters. The villains are classics, (Dr. Sivana, Mr. Atom, King Kull, Ibac), and reference is even made to the suspendium trap and the Marvels' 20-year absence.

There are differences, though. It is implied that Mr. Morris was not in the suspendium trap, while in fact, on Earth-S, he had been.  There was no Fawcett City on Earth-S (unless you count that one issue of "All Star Squadron" in which Roy Thomas first named Billy Batson's hometown), the original home of the Big Red Cheese was always unnamed, but assumed to be New York. But these are nit-picks that only some sadly over-passionate fan would care about or even notice...

The art is remarkable. It appears to be an almost photo-realistic interpretation of the original characters, but with enough detail left out to give the feeling of C.C. Beck's deceptively simple-looking art from the Fawcett days. As such it seems like a logical progression of where the art would be had the series continued under the same management over the decades (a look at recent versions of "Archie" shows a similar evolution, especially in certain "alt-Archies" like the zombie-horror series "Afterlife with Archie."). All the characters maintain their distinguishing characteristics and are instantly recognizable, but the drawings look like they were taken from life, as if they found the perfect actors for each character. This shows both the skill of the current artist and the brilliance of the original, to be able to interpret the cartoony drawings into recognizably realistic people and to create cartoony drawings that could be interpreted so.

The first issue stayed on this world, and the second one moved into the world of gaslight Gotham. But before it did, the first page of issue #2 declared that this world, that of Fawcett City, was Earth-5.

CONTINUITY VIOLATION ALERT!

EARTH-5 IS NOT EARTH-S!

As I mentioned in the first part of this review, It was publicly stated that Earth-5 is not Earth-S. This can be confirmed by looking up Wikipedia and DC Wiki (note the separate listings for Earth-S and Earth-5). A couple of notable but important differences are that in Earth-S Mary Marvel has a red costume, while in Earth-5 her dress is white, and that the "Seven Deadlies" in Shazam's throne room are "Enemies of Man," while on Earth-5 they are "Sins."

Speaking of Mary's costume, in the "Convergence" stories she is wearing a mid-length-skirted, short-sleeved dress in line with her costume in Jerry Ordway's "Power of Shazam" series that is a compromise between the short-skirted dress in which she originally appeared and the full-skirted, puffy-sleeved dress she wore for most of her Fawcett years. In any case, she is not wearing the short-skirted dress in which the Shazam-bolt descended from her neckline and the cape was mysteriously attached with no cord as she did in her later Fawcett years and all through her pre-"Crisis on Infinite Earths" tenure at DC, which is Earth-S, for all intents and purposes. She is also wearing boots, not slippers, as she would have in that period.

When the story moves to Gotham (or, as the promotional blurb would have it, "Shazam meets steampunk"), Shaner's graphic style and the colors by Jordie Belaire effectively convey the Gothic Victorian gloom of the gaslight city. There is fan-service galore, if you know what to look for, all through the story, from Mary Marvel catching a bomb to Killer Crock hurting himself trying to attack Captain Marvel (geek points if you can name the inspirations of those references). The story spends precious little time in that world, however, and almost no time with Batman. It's as if the ostensible co-star of the whole two-issue story was really more of a guest-star, a supporting character, barely more than a cameo.

But the unexpected money-shot for me was one two page spread in which Captain Marvel and Billy Batson spoke to each other in the instant between the transformation.

The hero had been zapped by electrically-produced lightning from gaslight Gotham. Apparently the charge, though not magical, was strong enough to effect the change. In a conversation that must have been going on inside their minds, the two characters, the hero and the boy, recognize the situation and try to figure out what to do about it. This established what I had always believed, and what was clearly intended, for the characters from the beginning: Billy Batson and Captain Marvel are separate characters. They share memories, but they are each distinct personalities. The Shazam/Captain Marvel concept is not "Big" as a superhero, it is a boy who has the ability to transform into an adult superhero by saying a magic word.

This was the high point of the story as a piece of superheroic fantasy for me. But sadly, beyond that, it was pretty much by the numbers. This is unfortunate, as there was so much more that could have been explored with this combination of elements... (to be continued)

Best Captain Marvel cartoon ever!

"Bataman: The Brave and the Bold" aired a full episode of Captain Marvel, and a very nice person posted it up on Veoh. Here it is:


Watch Batman The Brave and The Bold The Power of Shazam! in Animation  |  View More Free Videos Online at Veoh.com

A few things about it: First, I liked it a lot. It was fun, exciting, and had lots of good superhero and evil villain action. Physical absurdities were acceptable because of the medium (animated cartoons) and genre (Saturday morning cartoons).

Second, it paid tribute to the history of the character. News reporter "Tom Tyler" was named after the actor who portrayed the hero in the "Adventures of Captain Marvel" serial. One of the bullies in the orphanage was called "C. C.," the initials of the first artist to draw the hero. The subway car that took Billy and Batman to the throne room of Shazam was a perfect copy of the one in Whiz Comics, and the posters on the wall of Billy's room were good copies of old Whiz, Captain Marvel Adventures, and Shazam covers. The "Captain Sivana" thing happened in a a DC Comics Presents Annual written by Roy Thomas and drawn by Gil Kane in which the evil scientist managed to harness the magic of Shazam. The "reverse marvel" uniform appeared in a story from the 1970's "Shazam" comic series. Dr. Sivana's announced plan to shut down all wireless signals harkens back to the "Radio silencer" of the very first Captain Marvel story. The broken locked was the McGuffin of the story that introduced Billy's twin sister (nice to see they went back to the concept of twins, rather than Mary being a younger sister, like in the current DC incarnation). The stuffed tiger that looks like Calvin's Hobbs is an obvious reference to Jerry Ordway's version of Mr. Tawny from "Power of Shazam." Sivana bringing Black Adam to Earth was from the "Shazam: A New Beginning" miniseries by Roy Thomas and Tom Mandrake in the 1980's. Even the origin of Black Adam and the method by which he was defeated was used in Marvel Family #1, the very first appearance of the villain (it was also used in the "Shazam" cartoon series).

I'm not so sure how much I like Sivana Junior and Georgia having English accents, but their characters were very consistent with the classic villains in the comics. Sivana's "ha ha ha" laugh was not quite the "heh heh heh" I expected, but his plots and plans, threatening one catastrophe as a cover for a greater plan, and bringing in a powerful ally only to betray him in the end, in very in keeping with the character.

While there were some implications that Captain Marvel was young at heart, they did not play him like he was a kid in a man;s body, what was good for me. Personally, I like the idea that they are two different people that share memories. If you are the same person when one or the other, why not stay big and powewrful all the time? By beign an actual different person, then you have fodder for more stories, such as incidents where Captain MArvel can get into the kind of trouble that Billy Batson can avoid or get out of (In the Fawcett days, this was played for comedy a few times, mostly involving relationships with women).

In sum, if the long-promised "Shazam" movie ever comes about, this is not a bad template.

Billy Batson/Captain Marvel appearing in Brave & Bold cartoon!

Back in July at Comic-Con in San Diego, it was announced that Captain Marvel/Billy Batson and the Marvel Family would appear with Batman in the "Brave and the Bold" cartoon. Well, the first clip is available on IGN and it's a doozy!

Batman: The Brave and the Bold TV Clip - Exclusive: Captain Marvel's Debut

Tara Strong does the voice of Billy, and Jeff Bennett does the voice of the Big Red Cheese. I can't wait to see how they will do Mary and Freddy!