The Marvelous Miracleman! Part 10 of the Blog history of the many Captain Marvels!

     
When last we left our Hero, Marvelman,

Skinn shopped around his package of characters to various US comic book companies, but the name "Marvelman" and the letters from Marvel's attorneys kept getting in the way of closing a deal. It was decided to change the hero's name, and Alan Moore came up with "Miracleman," a name he had used before. Under this name, the property was sold to Eclipse Comics in September 1984, and the first issue of Miracleman appeared with a cover date of August 1985.

The series began by reprinting all that had appeared in Warrior, through issue #7, and (after complicated contractual dealings) Alan Moore picked up the story with #8. However, a flood destroyed the all-new art for that issue, so it became a fill-in issue with reprints of old L. Miller and Son-era stories. #9  began the all-new material, featuring a graphic, anatomically accurate telling of the birthing of the child of Miracleman by Mike Moran's wife.

This was highly controversial, as were future issues that wrapped up the Kid Marvelman conflict in issue #15. In that issue the entire city of London was razed to the ground in the climactic battle between hero and villain, with the inevitable and terrible deaths of thousands of civilians. A horrifying two-page spread by artist John Totleben showed the results of unfettered superpowers in battle in a realistic world.

Alan Moore finished his story arc and left the title on issue #16, which finally came out in 1989. replaced by Neil Gaiman (who got some share of the character rights in the deal). The stories continued into a series of stories world run by Marvelman as a benevolent super-powered dictator called the "Age of Miracles" (ironic, seeing as how this was a play on the "replacement" name for the hero). Eventually, however, the book was cancelled and for different reasons, Eclipse Comics went under.

Comics writer/artist Todd McFarland, creator of "Spawn," bought all the rights and properties of Eclipse Comic at auction , and believed the rights to Miracleman were included. But the complicated rights-sharing agreement established between Dez Skinn and the various writers and artists of the character was apparently still in play. Lengthy wrangling between the players involved ensued, which can be tracked by their various statements in interviews over the years.

Somewhere in there L. Miller and Son dissolved itself, with no documentation assigning the rights to Marvelman to anyone.

Eventually, Marvel Comics came into the picture. To make a very long and complicated story short, they paid Mick Anglo, the creator of the original Marvelman, ostensibly for the rights to the character, came to some sort of agreement with any other parties that may have had rights claims to the revived version of him, and most all the interested parties now accept that Marvel Comics owns both versions of Marvelman/Miracleman.

Starting in 2010, Marvel Comics began reprinting the original L. Miller and Son Marvelman, Young Marvelman, and Marvelman family stories, but stopped after a few albums  They have also completely reprinted all the "Miracleman" material available, including some unpublished material from the end of the run.

Much of the information in this post was drawn from the website and book "The Poisoned Chalice" by Pádraig Ó Méalóid

MARVELMAN! It's a Miracle! The British Capt. Marvel rip-off! (Part 8 of the Blog History of ALL Captain Marvels)

This history makes reference to material that can be found in the following books:

       

As we have already seen, in 1953 Fawcett settled the lawsuit with the company now known as DC Comics and agreed to never publish Captain Marvel comics ever again.

It turns out, however, that L. Miller & Son had been publishing black-and-white versions of these stories in the United Kingdom for years. The material was supplied by Fawcett and the books were printed in the UK. When word reached these publishers of the imminent cessation of material, they realized they had to do something, because Captain Marvel was extremely popular!

So writer-artist Mick Anglo created Marvelman, a new superhero with remarkable similarities to the Big Red Cheese, not the least of which was his name. His alter ego was young Mickey Moran, a copy boy for the Daily Bugle (I have found no evidence that Stan Lee ever saw this comic before writing Spider-Man), who met the astrophysicist Guntag Barghelt, who gave him the super-scientific word "Kimota" ("atomic" misspelled backwards) which, upon utterance, would turn the boy into the mighty hero...Marvelman!

Marvelman was super-strong, invulnerable, and could fly. He wore a blue suit with no cape and had a blonde crew-cut with a superman-style spit-curl forelock. His face was a dead ringer for the World's Mightiest Mortal. Micky Moran, likewise was a carbon-copy of Billy Batson, but with the same blonde crew-cut and forelock as the hero into which he would transform.

Marvelman's debut was presaged by a brief promotional campaign in which Captain Marvel and Captain Marvel, Jr, in their respective L. Miller & Sons comics, stated that they were taking a break, but to watch for something new in the coming issues. After a few issues of this, the titles of these comics were changed to Marvelman and Young Marvelman, respectively, and thus were the names of the new heroes that appeared inside.

Young Marvelman was a uniformed messenger boy who gained the power to turn into a superhero version of himself by saying the name of Marvelman.

Marvelman's arch enemy was Dr. Emil Gargunza, who was essentially Dr. Sivana with hair. The stories followed the basic patterns of Captain Marvel stories, and even some covers and panels were direct copies of Captain Marvel pictures. However, being in Great Britain, it can safely be assumed that neither Fawcett nor DC noticed or cared.

In time there was even a Kid Marvelman and a Young Gargunza, and even supervillains named Nastyman and Kid Nastyman. A Marvelman Family comic contained stories of the whole team.

Original stories were written and drawn for most of the decade and enjoyed a great degree of popularity. Thwn, in 1959, certain laws were changed that allowed the full-color American comics to be imported to the UK. followed by a few years of reprints, until the line of Marvelman and family comics was cancelled in 1963. by this time original comics from the US were reaching the British markets, and there was no longer as much interest in this old hero.

 Marvelman stories were reprinted in Italy and Australia, and also in Brazil, where the hero had the name "Jack Marvel." The Brazilian reprints were printed in Marvel Magazine and the "MM" logo on the hero's chest was erased.

Some parts of this history are a bit confusing. Apparently, Mick Anglo also created a character named "Captain Universe," which existed in two issues of an eponymous comic published by Len Miller's son in 1954. Threat of a lawsuit (it is unclear from whom) shut it down.  Mick Anglo left Len Miller in 1960, and saw that some of his Marvelman stories were reprinted or redrawn with the character named "Captain Miracle" or "Miracle Man" with a different costume.

Then, in 1981, Warrior Magazine in the UK published a revival of the character, written by Alan Moore. We will cover this revival in the next chapter.

Note: this is a basic overview. A well-researched, lengthy, and detailed history of the character and many issues surrounding him at http://www.comicsbeat.com/poison-chalice-interlude-1953-1985-roundup-and-some-notes-on-copyright/

A lot more detail about the creation of Marvelman, with a focus on the ownership of the intellectual property rights, can be found at http://www.comicsbeat.com/poisoned-chalice-part-16-who-own-marvelman-part-ii/

Another, more brief history can be found at https://www.leylander.org/intercom/marvelman/

Marvel (Miracle) Man to be reprinted!

Yes, I am a little behind on this news. Marvel comics acquired the rights to Marvelman (known in the US as Miracleman because of Marvel Comics' claim to the trademark of "Marvel"), the 1950' British follow-up to the original Captain Marvel created by Mick Anglo. Now they have announced that they will be reprinting the 1980's series written first by Alan Moore and continued by Niel Gaiman.

This was a remarkably well written and drawn series that broke new ground for comics and explored the ramifications of super-powers further than any comic book had sone up to that time. Peter Sanderson has lectured that the Marvelman/Miracleman series is one of the most important in comic book history because it kicked off the post-modern movement of 1986, which in his words, is "the Year the Changed Comics."

You can read the post by Graeme McMillan on 109.com here (the comments section, however, turns into a big argument about whether or not Alan More is an asshole for what he is quoted in the post as saying about this).

The British Marvel

During WWII, American comic books had been used as ballast in cargo ships across the Atlantic. Upon their arrival in England, they wound up in the hands of British children. A British publisher, Len Miller & Sons, obtained the license to reprint Fawcett's comics in the United Kingdom. When Fawcett pulled the plug on their comic books, Captain Marvel was still as popular as ever in England, so Len Miller had Mick Anglo's art studio create a new versions of Captain Marvel and the Marvel Family, blatant rip-offs named Marvelman., Young Marvelman, and Kid Marvelman (for whatever reason there was no female member of the family).

Marvelman's Alter ego was a copy boy for a newspaper called the Daily Bugle named Micky Moran. He had been subjected to the effect of a special machine by the dying astro-physicist Guntag Barghelt. This gave him the key to great power. He would be able to unlock this power by saying the word “Kimota” (Atomic misspelled backward). Then in the flash of a mushroom cloud (sound effect: WOOF!) would transform into Marvelman!

Young Marvelman's alter ego was Dicky Dauntless, a delivery boy for Transatlantic Messenger Service, and Kid Marvelman's alter ego was Johnny Bates, a 9-year-old boy. Both of these boys effected their transformations by saying the name of their senior hero-family member, ”Marvelman,” just as Freddy Freeman had affected his transformation by saying “Captain Marvel.”

These comics were drawn in an imitation of the C.C. Beck style, and sometimes covers were blatantly ripped off of original Fawcett covers. The stories followed the same basic patterns, and even their enemies paralleled the Marvel Family's. In the place of Dr. Sivana was a Dr. Garzunga (complete with the short stature and bad teeth, although with hair) and in the place of Black Adam was Kid Nastyman (complete with black and yellow version of the Marvelman costume).

This line of comics enjoyed its ups and downs of success and popularity until it was folded up in 1963. But that was far from the last that would be seen of these characters.