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Showing posts with label freddy freeman. Show all posts
Showing posts with label freddy freeman. Show all posts

Friday, November 23, 2018

NEW SHAZAM! MOVIE SYNOPSIS! (for what it's worth) REVEALS VILLAIN!


One quick break in the "Blog History of All the Captain Marvels" to share the news that Warners/DC has released a NEW SYNOPSIS for their upcoming SHAZAM! movie, featuring a hero based on the original Captain Marvel.

As reported by Heroic Hollywood (and I don't have time to do another Clickbait Roundup on it), this is the text of the new synopsis:

“We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s (Asher Angel) case, by shouting out one word—SHAZAM!—this streetwise 14-year-old foster kid can turn into the adult Super Hero Shazam (Zachary Levi), courtesy of an ancient wizard (Djimon Hounsou). Still a kid at heart—inside a ripped, godlike body—Shazam revels in this adult version of himself by doing what any teen would do with superpowers: have fun with them! Can he fly? Does he have X-ray vision? Can he shoot lightning out of his hands? Can he skip his social studies test? Shazam sets out to test the limits of his abilities with the joyful recklessness of a child. But he’ll need to master these powers quickly in order to fight the deadly forces of evil controlled by Dr. Thaddeus Sivana (Mark Strong).”

The differences between this and the previous version of the synopsis are few. They have added the phrace "...a ripped, godlike body...", stated that he is "having fun" with his new powers, and estabished that he is facing the challenge of "master(ing) these powers" so he can "fight the deadly forces of evil."

None of these are unexpected details of a superhero film, they seem more like simple expansions of the concepts expressed in the previous synopsis and are hinted at in the trailer. But there is one detail that makes official something everyone already knew except for those people unfamiliar with he character: Dr. Sivana will be the villain!

Those of us who have been following the production have known Dr. Sivana, described in the original comics as "The World's Wickedest Scientist" and self-described "Rightful Ruler of the Universe," would be involved. Mark Strong has been cast in the role, on-set photos revealed him working with Zachary Levy (the hero), and there is a shot in the trailer of him catching the hero's fist and his eyes glowing.

In the original comics, Sivana was short and ugly. He was physically no match for the original Captain Marvel, and used science and chicanery to try to find ways to outwit, out-position, and overcome the hero's opposition to him taking his place as Ruler of the Universe. But somehow the Big Red Cheese was always able to overcome these challenges and obstacles, often because Sivana forgot one little detail that left him vulnerable. Such a character could have been brilliantly played by Armin Shimmerman.

But this version of the hero is based on the New 52 version. For those who may not know, the "New 52" was a 2011 complete re-vamp and re-boot of the entire line of DC Comics. The character who had been known as Captain Marvel ever since he was created for Fawcett Publications in 1939, and had been re-vamped and re-booted at least three times by DC from the 1980's to the 2000's, was put through his most drastic reimagining ever.

As regular readers of this blog should know by now, for trademark reasons, DC could not put the hero's name on the cover of the comic instead deciding to use his transformative magic word, "SHAZAM!" (all caps, with the exclamation point) as the title of the comic and the trademark for merchandising. This confused enough people that for the New 52, the name of the hero to be marketed under that title and trademark would match that title and trademark.

With this change of name also came a change in costume, power set, origin story, and living situation. It also came with a change in the arch enemy.

Dr. Sivana, in the New 52, is a tall, handsome, wealthy man obsessed with finding the secret of magic. He finds the tomb of the ancient wizard Shazam and absorbs the ability to "see magic," as well as use it. It also, eventually started eating away at his body, and he was last seen becoming smaller and uglier, perhaps eventually turning in into the short, ugly character of the original comics.

Mark Strong is a perfect physical type and has a body of work that indicates that he would be a very good choice for this new interpretation of the villain. On top of the increased height and charisma of this new version, the movie is also giving him a degree of physical ability that the comics did not (this is presumably because in the comics Black Adam served as a co-villain to go toe-to-toe with the hero, but that character, announced to be played by Dwayne "The Rock" Johnson, will be making his debut in another film) which is also well within Mark Strong's wheelhouse.

So, to sum up: The specificities added to this new synopsis pretty much confirm what was already known or obvious, and those who were hoping for a movie about the original Captain Marvel will have to be satisfied with a re-imagined character loosly based on him.

Sort of like the upcoming Robin Hood, but that is an essay for another time.

Please post your comments below, and subscribe to this blog for history and insight on all things involving ALL Captain Marvels!

Monday, March 12, 2018

Has Captain Marvel's name changed to "Shazam"?

This was a reply to a comment on Facebook, but since it was so long and thorough for a "Someone is Wrong on the Internet" comment, I figured I would post it here so folks could refer to it with ease. 

Whether or not the name has been "changed" depends on how you look at the character.


In the mid '00's, DC had a series of company-wide epic events, part of which involved Captain Marvel having to take over the job of the old wizard Shazam (who had given Billy Batson the power to speak his name and transform into the hero), and his name changing to "Lord Marvel." Freddy Freeman (Captain Marvel, Jr.) took over the job of Captain Marvel, but after going through the "Trials of Shazam!" 12-issue series (that lasted from 2006-2008,) he became the new hero and was called "Shazam" for a while (Wikipedia says he went back to the name Captain Marvel for a bit).


Then, in 2012, the New 52 came around, and every superhero was "rebooted" or "recreated" and started over. Some of these new versions were drastically different, some were not. The character who was published under the title "Shazam!" in back-up stories n "Justice League," and who later joined the Justice League, was named "Shazam." He had a different costume, different origin, and drastically different powers from the previous characters marketed under that title, all but the Freddy Freeman version having been named "Captain Marvel," and being continuations of, or based on, the original Captain Marvel from Fawcett.

A few years later, DC revealed that the universe in which these "New 52" heroes live is actually part of a "multiverse," and in this multiverse is a world labeled "Earth-5. On this world is a superhero named "Captain Marvel. This world has been said to be "Earth-S," which was the world on which DC placed the original Captain Marvel when they started publishing him in 1972.

To backtrack just a bit...

In 1972, DC began publishing the continuing adventures of the original Captain Marvel, placing him on Earth-S, just as Jay Garrick/Flash was on Earth-2 and Barry Allen/Flash was on Earth1, and while both Earth-1 and Earth-2 had a Clark Kent/Superman, Earth Three had Kal-ll/Ultraman

In 1985-6 DC published the "Crisis on Infinite Earths" saga, which rolled all the alternate Earths into one, rebooting all their characters, re-setting the Big Three of Superman, Batman, and Wonder Woman into the current era, and re-booting Captain Marvel under the title "SHAZAM!" The New Beginning." He had the same powers, a slightly different origin, and the same costume. And while the original Billy Batson and Captain Marvel were separate personalities, now Captain Marvel was simply Billy Batson in the hero's body.

In 1994 DC released Jerry Ordway's re-boot of the character under the title "The Power of SHAZAM!" Again he had a slightly different origin but the same powers, his costume was slightly different, and he maintained the "boy as hero" concept. This was retconned as the part of the new world that emerged from the "Zero Hour" crossover event that happened that same year in DC Comics.
 In 2007, DC released Jeff Smith's "SHAZAM! The Monster Society of Evil" which again re-booted the hero, giving him a slightly different origin and the same costume as the "Power of SHAZAM!" version. In this version the boy and the hero were different personalities, but were starting to merge towards the end
A slightly different version of this character was the hero of the "Billy Batson and the Magic of SHAZAM!" series published for the kid-oriented "Johnny DC" imprint. In this version, the hero had the boy's mind.

Now, if all of these characters, existing on different worlds or after different universe-altering events, count as "different characters," then the New 52 hero, named "Shazam," is not the same character as the original Captain Marvel.

If, however, you want to say that a character with a different origin, different concept, different costume, different powers, a different name, and living on a different world, but marketed under the same trademark as a previous character is the same character as that previous version, then yes, Captain Marvel's name has been changed to Shazam, along with almost everything else about him.

Tuesday, March 6, 2018

Two movies, Three Articles


Some big news is dropping about the two Captain Marvel-relevant movies that have recently begun production: DC's Shazam! and Marvel's Captain Marvel. I don't have time to write everything that I want about them right now, so I am going to link three articles here to revisit later, if I can.

First, about Shazam!: The suit has been revealed!

This is the final confirmation that this movie is not about a superhero named Captain Marvel. Despite director David F. Sandberg posting pictures of Fawcett comics, Captain Marvel action figures, a clip from an animated cartoon with Captain Marvel, and even a drawn comic strip with Captain Marvel referred to by name, this movie is not going to have any version of the classic character by that name.

As the casting rumors and announcements hit the news websites and spread throughout the clickbait-verse one by one, it became clear that the cast of characters was coming from DC's New 52 story about the superhero named "Shazam."Instead of the "Seven Deadly Enemies of Man" we had the "Seven Deadly Sins," The foster parents and additional foster siblings of Billy, Mary, and Freddy were cast, Dr. Sivana is to be played by someone tall and good-looking, and IMDB even reports that Mr. Bryce, a Richard Branson-inspired millionaire is part of the cast.

Then word came out that the hero's costume would be inspired by that worn by the hero Shazam in the DC animated movie JLA: War. THis costume is the spoctume worn by the hero Shazam in the New 52 story.

And now we have the picture, leaked form on-set, of the costume of the hero of this movie. As movie costumes go these days, it is remarkably faithful in design to the costume of the New 52 Shazam, even down to the infamous hood.

As regular readers f this blog know, DC decided to title the comic book that chronicled the adventures of the original Captain Marvel "SHAZAM!" because Marvel Comics had trademarked "Captain Marvel" in 1967 before DC licensed the original character from Fawcett in 1972. In 2006 DC made the lead character to be marketed under that trademark Freddy Freeman, whose new superhero name was Shazam, and when DC created the New 52, the re-imagined Billy Baston and his heroic alter ego to have that same name as well.

This hero, his origin, his costume, his powers, and his alter ego were drastically different from the original. Some people liked it, but a lot of fans of the original did not. One could say that this hero was more "based on" or "inspired by" the original Captain Marvel than simply a "new version" of him.

Since it was later revealed that the universe of the New 52 was actually a "multiverse," and there were 52 different universes, each with their own set of superheroes, and one of these universes, "Earth-5," had the original Captain Marvel on it, I was comfortable with the idea that Shazam and Captain Marvel were two different heroes, existing simultaneously on different worlds. I like the original CM better, though.

I had been hoping for a great movie about that beloved character since a SHAZAM! movie was first announced in 2002, but with the release of this picture of the costume, it is the final nail on the coffin of any idea that anything in this movie is going to be about anything other than the New 52 Shazam. If there is any reference to the original Captain Marvel that cannot be found in the New 52, it is just crumbs to the faithful.


Meanwhile in a different note, Marvel Comics is updating the origin of their Captain Marvel.

The description of the actual incident in which she gets her powers is non-specific enough ("a chance encounter with a Kree hero gave her incredible super powers") that it may not actually be different from what happened between 1967 and 1977, but they are obviously focusing more on the psychological and emotional effects that this had on Carol Danvers. This is undoubtedly an attempt to boost interest and mainstream familiarity with the character in anticipation of her movie.

I wonder why DC is not making more of a similar effort with their movie-bound hero?


Finally, in researching this post, I found this old article ("Meet Captain Marvel: Fighter Pilot, Feminist and Marvel's Big Gamble") that came out shortly after Marvel announced their Captain Marvel movie. What with all the #MeToo business going on and women's roles in society being looked at closer and closer, I thought this had extreme relevance and was worth revisiting.


Wednesday, June 3, 2015

Shazam: Convergence review part 3

(continued from previous post)...Of course, a "by the numbers" adventure with the Marvel Family is still fun (especially when you add Mr. Taawny in an open-cockpit WWII fighter plane). And the subtle combination of the lighthearted elements of the Shazam heroes and villains with some logical character explorations and the deeper, darker dimensions of the Multiverse was handled with great skill, allowing the reader to enjoy the ride while appreciating the depth.



But as I said, a great opportunity was missed here. Gotham by Gaslight, on its face, appears to be a drastically different world than that of what DC called "Fawcett City" on Earth-S or Earth-5. It is a dark, scary, treacherous, mysterious, well...Gothic...place. However Billy, Mary, and Freddy are not actually strangers to such a world. On several occasions, both individually and as a family the Marvels found themselves in such environs, Freddy in particular lived in a quasi-gothic evnironment, especially when drawn by Mac Raboy. He dressed in rags, lived in a run-down boarding house, and often found himself defending orphans, waifs, and even magical fairy creatures that would not be unfamiliar to a Victorian audience.

It would have been interesting to see the Marvel Family deal with the challenges of a dark Victorian, steampunk adventure in a full-length story. In their human selves, I could see Billy, the young adventurer, intrepidly seeking clues, while Mary, the adopted daughter of privilege, and Freddy, the poor orphan boy, being concerned with the welfare of the downtrodden. As their heroic personas, Captain Marvel would be initially perplexed by the mysterious ways of the creatures of darkness, Mary Marvel would be drawn to the plight of the underclass, while Captain Marvel Junior would use his familiarity with the environment to start to see the solution. Together, their wisdom and courage would see them through. It's quite possible their strength, speed, and abilities would help the Batman of this world solve a mystery that had eluded him, and perhaps, in a more ambitious tale, would even help him solve a particular social evil.

But this was just a one-time, two issue story that was part of a bigger, company-wide, crossover epic. We will probably never see this combination of characters and worlds ever again (outside of fan fiction, of course). In time, it will be reprinted in a trade paperback collection, perhaps a giant omnibus edition, but it is unlikely that it will be one of the Great Epic Tales that will be remembered in the annals of comic book history.



So we will see what DC will do with the former Fawcett characters in whatever world will emerge from "Convergence.." I hope they will return these characters to their roots with their original names, powers, and characteristics. They cave the DC universe a lighter touch and needed balance when things got all grim 'n' gritty in the 1990's. I prefer that Billy and Cap have separate consciousnesses, but if they must have the same mind, at least have Billy be the kind of kid to whom you would want to give superpowers. If you want to have a troubled kid find redemption, make up a new character. You could even have him be in the "Shazam" family, but let the first, the original, the leading Hero of the Word be a brave, pure, good soul to set an example for the rest.

Sunday, September 14, 2008

The Latest from DC, part 1

Lately, DC Comics has gone in two different direction with the original Captain Marvel. In the main DC Universe, they have decided to totally re-imagine the character, at least in part to differentiate him from Superman. Since the beginning these two characters have been at loggerheads. Both of them are super-strong, invulnerable, and can fly, and are the greatest heroes in their respective universes. When they wound up in the same universe, a logical question was “what do you need to have both heroes for, when each of them can do pretty much what the other one can?”

The answer, for DC Comics, has recently been to play on one key difference between the two: Superman was a science fiction concept: an alien from outer space with powers far beyond those of mortal man. Captain Marvel was a product of magic: a hero with the abilities of a half-dozen mythological and legendary characters.

In the ongoing trend of having a mighty, company-wide crossover event every year to drive collector and fan excitement about the company, as well as, yet again, “cleaning up” some of the messiness in the DC Universe left over since the last big “clean up the DC Universe” event, Zero Hour, DC Comics brought forth Infinite Crisis.

In the lead up to this event, Days of Vengeance, the magical element of Captain Marvel was brought to the fore. Captain Marvel was used as a focus of all the magic in the universe, as every magical character focused their energy on the Captain so he could grow in stature to battle the Spectre, a magical, god-like being that had, ironically, been created by Jerry Siegel back in 1939. He wound up losing the fight, though. Also in the story, old Shazam died and the Rock of Eternity was destroyed.
By the end of the Infinite Crisis, it was established that there were now 52 parallel universes. The “post Crisis on Infinite Earths” universe remains, and most of the old DC Universes (Earths 1, 2, 3, etc) seem to have been recreated, as well as self-contained universes for the characters of each company that they have acquired (Earths S, X, etc.). This now allows DC Comics to create stories with the characters in their original universes, if they ever choose to do so.

The Rock of Eternity had been rebuilt, and Billy Batson was installed there to keep an eye on the magical world, as the Rules of Magic have been “rewritten.” In other words, Captain Marvel became the top cop for magical monsters and demons. Before that could be explored further, however, something happened. Billy Batson said “Shazam” one day and the Captain Marvel he transformed into was different. He was in a white version of the Marvel suit, his hair was long, straight, and white, and his cape was long and had a hood. He looked like Elric of Melniboné, Michael Moorcock's magical albino, on steroids! At the same time, Captain Marvel Jr. and Mary Marvel both instantly lost their powers!

It turns out that Billy Batson/Captain Marvel is now to sit on the throne of Shazam. Billy Batson looks to never be seen again, and the character simply uses the name “Marvel.”

Freddy Freeman, the Shazam Family outsider, and former Outsider (since losing his powers) has been set on a quest to earn each individual power of Shazam (Solomon's wisdom, Hercules' strength, Achilles' courage, etc.) in a series of trials chronicled in the recent series Trials of Shazam. One result of these trials is that the hero who will ultimately say the magic word and wear the red suit with the gold lightning bolt (Freddy Freeman) will be called Shazam. Dan Didio, editor-in-chief of DC Comics has admitted that part of the reason for this is to finally have a comic book with the character who's name is the same as the title.

Mary Batson, after recovering from injuries sustained when she lost her powers, fell into a fit of depression, sought to regain her powers, and met Black Adam. He gave her back access to the Power of Shazam, but also a share of his powers. This made her more powerful and and gave her a greater range of use of magic, and she gained a new costume, a black, long-sleeved, capeless number with a very short skirt.. Once the moral center of the Shazam Family, she fell to the temptations of that power, almost becoming a tool of the villain Eclipso. She overcame that temptation, however, when she realized that she was being used, and lost her powers again. She regained her original powers (and a new white costume with long sleeves and a gray lightning bolt) when she realized that what she really wanted was to help people with her powers. Then the villain Darkseid tempted her with the powers that she had gained from Black Adam and debates of moral relativism, and Mary accepted them, and the black costume reappeared.

Friday, August 22, 2008

The power of...the Ordway!



In the early 1990's, comic books were enjoying an unprecedented boom in sales and creativity. The fight for creator's rights had a breakthrough when several high-profile artists for Marvel Comics left and formed a new company, Image Comics. At the same time, a new company, Valiant Comics, also made up of former professionals from Marvel and elsewhere, appeared on the scene.

At the same time, the comic book industry had started to really play to the collector's market. Gimmicks such as variant cover editions, canceling books and starting them with a new “first issue,” packaging comics in plastic bags with trading cards in them, foil-embossed covers, and the star treatment given to hot new artists were driving collectors and fanboys to buy multiple copies of many comics.

The mainstream public had long been growing in awareness of the collectible value of comic books. Now many people were buying comics with no intention of reading them, merely storing them until the could, theoretically, sell them at a vast profit. With so many people buying comics, new comic book shops were opening all over the place. Businesses that had never sold comics before were now selling comics. One neighborhood in Brooklyn had a glove manufacturer, a laundromat, and an auto parts store all selling comics within a 5 block radius in 1993. And they were selling just about every comic book that was coming out, and now everyone with a dollar, a pencil, and a dream was coming out with a comic book.

During this period, Jerry Ordway was given the Captain Marvel assignment at DC, which would come to be called Power of Shazam. The Roy Thomas project was shelved. Another version of Captain Marvel that was being worked on by John Byrne was abandoned by him when the editors of DC Comics insisted that Captain Marvel exist in the main DC Universe. This was to be the Captain Marvel that would emerge after the “Zero Hour” crossover DC Comics event that was meant to re-order the DC Universe, tying up the loose ends that had been left by Crisis on Infinite Earths.

Jerry Ordway wanted to pay tribute to the original Captain Marvel while making his version more thought-out and updated. He set the stories in the fictional Fawcett City, which was under the magical protection of Old Shazam, keeping it a cleaner, nicer place than the rest of the world, and also keeping its “production design” stuck in the 1940's. Ordway loaded the city with street and business names that payed tribute to the old Fawcett people, such as Beck Lane and Raboy Trucking.

His stories were very well done, well thought out and interesting to read. However, from the beginning I felt that it was done wrong. First, when Billy said “Shazam!” for the first time and turned into Captain Marvel, Captain Marvel still had Billy's mind. Billy got violently upset and was unable to handle it. The first time he battled criminals he freaked out when he almost killed them. He said the magic word while on top of a blimp and the lightning caught the blimp on fire!

These things were all different from the way Captain Marvel was handled at Fawcett and in the first DC revival (which was supposed to be a continuation of the Fawcett stories). From his first appearance, Captain Marvel had been composed and confident. There was never any indication that he had any doubt or confusion or insecurity about his abilities. He knew what he could do and he did it when it needed it to be done. There was never any indication that he still had the mind of Billy Batson. He always seemed to be a separate personality. And finally, the magic lightning never had any effect on the things around it!

Ordway tied the origin of Captain Marvel into some elements of “The Adventures of Captain Marvel” serial and made Black Adam, a one-shot villain from the Fawcett days, a main adversary. Black Adam, a villain with the same Shazam-granted powers as Captain Marvel has since become the major boogeyman of the DC Universe, becoming the leader of the middle-eastern nation of his birth and going on a murderous, Hulk-like rampage across the Middle East when his wife and adoptive son were killed.


Mary was a younger sister and also became a grown-up, like Billy, when she said “Shazam!”. Her origin was tied in with Mr. Tawny, who was now a “pookah,” a type of magical spirit in the form of an anthropomorphic tiger. For the longest time, Mary was not known as “Mary Marvel,” but rather “the Lady Captain Marvel.” There was no moment when she actually took the name during the 47-issue life of the series. But whenever she appeared in another comic, she was referred to as “Mary Marvel.” The two most significant instances of this were her guest appearance in Supergirl, where her wholesome goodness totally got on the nerves of the new, hip, modern, teenage Supergirl; and I Can't Believe it's not the Justice League, in which her youth and innocence played comedic contradiction to her beautiful, fully-grown look.

Freddy Freeman appeared, after Mary rather than before, as a high school BMOC and sports hero. He was injured the same way the original Freddy was, and was again granted a share of the Shazam power.

In this version, the power of Shazam was limited, and when more than one Marvel used it, each individual Marvel had less. This was unlike the original Marvel family, in which the three members used teamwork to battle menaces that the power of one of them alone could not defeat. Instead, if more power was needed by one member, the other members of the family had to transform back to their normal identities, so the third would have all the power to face whatever the challenge of the moment was.

Ordway also wrote in some tension in the family. Freddy liked Mary, Mary was attracted to Freddy, and Billy was jealous. Ultimately Freddy left Fawcett City and went to New York. He joined the Teen Titans, whose writer didn't know what to do with him, and he was quickly forgotten. He then joined the Outsiders, a dark, edgy team of former sidekicks, grown up Teen Titans, and other oddball heroes. It seemed like he was just fitting in when the Infinite Crisis hit, and he disappeared from the team.

Tuesday, July 1, 2008

The Blue Boy


Before long Captain Marvel was given his own solo comic book (one issue of which was written and drawn disposably by Joe Simon and Jack Kirby, creators of Captain America), and a spin-off character was created, Captain Marvel Jr., This character was a lame boy, Freddy Freeman, who had the power to turn into a mighty hero with the powers of Captain Marvel, except he looked exactly the same (apart from the costume, of course). This hero was drawn more realistically, with an aesthetic established by Mac Raboy. His adventures were more personal, its mood more sensitive than Captain Marvel's. It is said that Elvis Presley was such a fan of Captain Marvel Jr. that he used his hair as a model for his own. Further evidence of this Elvis-Shazam connection included the lightning bolts on his airplane and his “TCB” ring, and the short capes that he affected with his jumpsuits. The magic word for this character's transformation was “Captain Marvel,” thus making Captain Marvel Jr. the only superhero who could not say his own name without losing his powers.

The difference between Billy Batson/Captain Marvel stories and Freddy Freeman/Captain Marvel Jr. stories was a deliberate and smart decision by Fawcett. Billy lived in a world that was always bright, where the biggest problems were those that required a hero like Captain Marvel to solve (mad scientists trying to take over the universe, alien invasions, etc). Billy was a successful and popular radio news reporter, independent with none of the troubles one would expect an orphan to have.

Freddy, on the other hand, was more of a sad case. He sold newspapers on the street, dressed in rags, limped on a crutch, and lived in a run-down boarding house. Many of his cases were on a more personal level, dealing with personal tragedies and struggles with sensitivity and heart. While Captain Marvel was a beloved celebrity that could always count on the support of the authorities, Captain Marvel Jr. was more of a lone wolf, a solo operator who would have to rely on his own abilities to help the underdog get out from their oppression.

Next: Something About Mary...